"Life
has value as long as we value ourselves; when that is no longer possible, it is
better to end it than continue without meaning. The choice must be an act of
personal freedom, and it must be easier to find help when we need it. This is
also a way of showing love!”
-Ramon Sampedro
Mar
Adentro was based on the true story of Ramon Sampedro, a sailor who became a quadriplegic
and has been bedridden for 28 years. He was the first Spanish who asked the courts
to grant him the right to assisted suicide or euthanasia. The film can be
captured by the above quote in Ramon’s book “Letters from Hell” (Cartas desde el infierno).
There are two major ethical issues
that I felt strongly portrayed in the film: euthanasia and adultery. Euthanasia,
dignified death, the right to die, freedom of choice, etc., are the terms with
which the main topic of the film could be defined. I can say that the film
revolves around this major ethical issue since the protagonist, Ramon, strongly
wishes to die and was evidenced by how he rejects resources that might improve
his quality of life (e.g. wheelchair), his confinement in a non-accessible
environment and his stubborn desire to die. However, a love story that is more
delicate than the discussion on euthanasia, which is the film’s main topic, also
develops throughout the film. This love story between Julia (Ramon’s lawyer)
and Ramon was an example of what I consider as an unethical act. Theirs was a
forbidden love since Julia was already married at that time. Although their
love story was not really emphasized in the film, it can be deduced from their
actions and decisions how they really love each other despite knowing the harsh
reality they both face.
Ramon perceived his life as “a living head in a dead body” and talks
with cold detachment of lives that should not be lived like his. He refused to
use the wheelchair because “to accept the
wheelchair would be like accepting scraps of what my freedom used to be”. He
believed that living is truly experienced when one has freedom; freedom to move
and to act to chase his dreams.
Gené and Marc, defenders of the pro-euthanasia
association, also become standard-bearers of life, explaining their ideals as
the defense of all: “we support freedom:
that of those who wish to live and that of those who wish to die”. Conversely,
those who are against of euthanasia, like Fr. Francisco, who was also
quadriplegic, engaged Ramon in a debate on the possibilities involved in living
in a wheelchair, setting forth arguments such as “life is not only moving one’s arms or running from one place to
another or kicking a ball…” and “life
is a gift”, clearly reflecting, in the scenes where he appeared, on the
architectural barriers that exist where Ramon lives.